das neue outing der kanadischen electro-pop-band young galaxy ist ihr mittlerweile drittes von dan lissvik (the embassy, taken by trees) im schwedischen göteborg produzierte album. inspiriert von 1980 er electro, acid house und r&b, benutzt die band auf falsework analoge maschinen der vergangenheit, um songs mit futuristischen sounds zu kreieren, wie das definitive albumhighlight body. ihr vorgänger ultramarine war anwärter für den kanadischen polaris music prize. ps: die lp erscheint auf pastelfarbigem vinyl, von dem es insgesamt 5 verschiedene töne gibt, die nach dem zufallsprinzip (un)sortiert sind.

kyle geiger returns on his home label with a set of tracks designed to recapture the basic function of techno. it s music to sweat to at a party. additionally, this package aims to capture a sense of timelessness through melody interwoven with a pumping breed of techno rhythms. the title track, homecoming, starts with a bottom-heavy percussive workout, then presses forward with an array of slowly filtering brighter synth stabs. the breakdown sees an arpeggiated synth slowly overtake the rhythm of the track just long enough to build tension and bring things back to full speed. the verge is a very stripped back, drum track style cruiser, which builds tension with a rising distorted pulse sound filtering in and out. just as it seems that the back half of the track will carry on as planned, a running melody comes in and changes the direction of the entire track. the verge (beat tool) is identical to the original, but build for those a little shy about slightly more upfront melodies.

martin courtney, frontmann des aus new jersey stemmenden indie-trios real estate, veröffentlicht sein erstes solo-album auf domino. das 10 songs umfassende werk mit dem titel many moons ist ein luftiges indie psychedelic-album, voll scharfsinniger selbstkritik und ganz nebenbei ein elliptisches dokument für die wandlung courtneys vom junggesellen zum familienvater. die meisten stücke entstanden auf der tour für real estates drittes schaffenswerk atlas, produziert wurde es von jarvis taveniere (woods).
die vinyl-lp erscheint inklusive downloadcode.

yet again the leafs are turning neon golden, reminding us of the change of seasons lying at the edge of our doorstep. the first cold breezes and the fading warmth of the sun, which we just took for granted so easily, sketch the outline of that mild and soothing melancholia resting in autumn s palms. a mood we can very well enjoy to bury in deeply and with luise s newest release listen to closely. -mentis excessus- is a tenderly crafted tale, a musical journey that paints broad images of false memories and blurry resemblances. like a déjà-vu that lasts too long to put aside, it crawls up your neck to give you that eerie feeling of curiosity with which you look at the uncanny world that suddenly surrounds you. we are very pleased to welcome -wide awake- as the most recent addition to luises s sheltered, little family, a project that has its foundations at the talented hands and hearts of -niju-, -ninze- & -okaxy-. these three banded together for greater good to provide nothing less, but their as well as laut & luise s first album. not restless, no insomnia, just wide awake.

after a huge success with the first release by dj aaekmael, we signed another crazy good release. the man who is everywhere at the moment luvless. with releases on tsuba, sleazy beats, rose records, razer n tape, diggin disco deep and much more, this guy can t be stopped. sometimes slow mo deep house, with a fantastic vocal, and a piano that will make your heart melt. on the flip side, we asked the productive desos to make a remix, and he did that very well, he added a little more basement vibe to it, just ready for the clubs. vinyl only release.

yppah meldet sich mit seinem vierten studioalbum tiny pause und seiner einzigartigen mischung aus electronic, psychedelic und rock zurück. yppah (ausgesprochen: yip-ah) hat sich in den letzten jahren eine große und treue fanbase erspielt und veröffentlicht nun mit tiny pause sein bis dato wohl intimstes album. das album erscheint auf transparente, grün gesprenkeltem 180 gramm vinyl im klappcover inklusive downloadcode.

beautifully designed lp on 180g vinyl! just waking up and everything sounding slower. holes in the wall. the unknown in the familiar. the shock of the new. just-turned rubble. thick clouds of recall. muted high-life, de-centered hip-hop, and disparate conversation. heavy, sinking jazz and dissected infomercials. too much chewing gum? not quite anything, or half of something. reminds me of. smells like? turkson side is africanus okokons first album. it is almost entirely sample-based, made largely within a simple, custom-made playback software with each track recorded in one take with very little editing

out on the floor firecrackers that ignited the northern soul boom on soul for dancers, journalist (mojo, record collector) and r&b authority lois wilson takes a trip back in time to the rare soul scene s roots, to where it all began if you like. many of the 32 tracks on this 2lp vinyl set (selected from the 61-track 2cd compilation) filled the floor at manchester s the twisted wheel and london s the scene club, both precursors of the wigan casino, blackpool mecca, the golden torch in stoke et al. the sparks that lit the fuse, these early triumphs would give rise to an era defining scene, one which became a treasured subcultural phenomenon.

mano le tough spends a lot of time in the club. in 2014, the irish-born artist played more than 100 gigs all around the world-landing at number eight on resident advisors annual dj poll in the process but when the time came to make trails, the follow-up to his much lauded 2013 debut album changing days, mano knew that a little time away from the dancefloor was in order

svedjebruk is proud to release one of our absolute favourite artists: omar santis. following two releases on w&ll and last years ep a.t.d.l.d on karakul, santis now returns with four new tracks. on greatest hits! he moves into new terrain, a little darker and rougher around the edges, enclosed in his deep signature groove. greatest hits! never loses focus on the objective, this ones for the longing hearts and feet!

the salsoul orchestra dresses well known christmas songs in a disco outfit. originally released in 1976, now re-issued on transparent red vinyl.

cool creations of st maarten were formed in 1975 by carlyle barriteau, funk gumbs and winston macco. they were all in our last year of high school in st maarten. the name coolcreations was inspired by kool and the gang, one of their off island influences. the band mainly played hotels, local dance clubs and carnival parades and they recorded one lp. these two tracks were taken from that little know but much loved lp which was recorded in san juan in puerto rico (no one can remember t...

the name is the game - little bit delayed but here it is: vinyl debut by fehlzündung on freakadelle. driving dub vibes colliding with analog artefacts. completed by an epic trip on the b-side, which will let time stand still on all quality dance floors.

underground hero ld nero debuts on the debut of the anything-goes outfit misfit melodies. tried and tested nero deepness melts with his rave alter ego and beloved non-conformity. a more traditional deep house approach is featured on the flip with a gerd janson & lopazz remix, while the blue-eyed dub reggae take of bad cop bad cop serves as the digestive.

ahead of their highly anticipated debut lp due on golf channel this fall, the berlin duo drop this little taster. the heavy, percussion driven analogue sound that is their trademark comes in two tight packages. the title track is all snaky rhythms and squelchy riffing and comes complete with exactly the kind of dense, break heavy remix that we would expect from compatriot, and top buddy of the band, wolf muller. flipside revanche is a sunnier affair, deft touches on the acoustic guitar and lighter percussion, but no less the party starter because of it. golf channel every time !

nach topremixen für little dragon, jon hopkins und shit robot, sowie veröffentlichungen auf phonica, mule musique, firecracker recordings (sein wunderbarer beitrag zum mac-talla nan creag projekt) und seinem eigenen label little strong, gibt es endlich eine zweite ep von neil mcdonald alias lord of the isles für permanent vacation. clearness of love führt fort, was die letztjährige vielbeachtete 301c symphony ep bereits ausgezeichet hatte: butterweiche clubtracks in denen acid house und 90s techno, atmosphärisch, der filmmusik entliehene, klanglandschaften, ambient und balearische klänge miteinander verschmelzen. alle tracks sind geprägt von mcdonalds frühen einflüssen aus sci-fi soundtracks und detroit techno, sowie von klassikern wie the orb und new order, und auch von der rohen natur seiner heimat schottland - besonders den highlands. 4 stücke verankert in nostalgie und von liebe inspiriert

part 1 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with moby, tangerine dream, air, vince clarke and many more. the double 12 inch release comes in gatefold sleeve).

reissue of the classic 1967 album by the jimi hendrix experience on heavyweight 180 gram vinyl, housed in gatefold sleeve.

the maghreban is new to house music, and doesnt really listen to house music, which isnt necessarily a bad thing. he has worked extensively in other genres under other names. looking at house from these sideways perspectives perhaps gives him an interesting angle on it. these first two tracks sound a little vintage and there is much more of this stuff to come, all quite dancefloor orientated. early support from call super and gatto fritto and radio play from thristian on nts.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

triple vinyl pack, featuring wired002, wired003 and wired010 for one special price!

limited vinyl only ep. no digital release, no promo campaign. no repress. second part of the cyanide overdose series, this time introducing the talented mexican producer jamin hernandez, well-known after his releases on top notch labels, such as my little dog or tenampa.

keeping the momentum going seems fairly easy for barac as he unveils the long awaited second ep on his moment imprint. last years have seen barac evolve in a very lucrative way, yet only his best productions seem to be making their way top. it is clearly the case for this second ep which features two of his solo masterpieces. moment of clarity is electronic poetry at its best. barac delivers the proverbial summer sunrise directly into your speakers and ultimately into your heart. this track is meant to never be forgotten. without changing the soundscape too much barac has a slightly different approach on side b. things get a little more serious with sun & following being driven by a catchy bass and a haunting atmosphere. this tune is as bomb in the night as the other one is in the daylight.

trevor jackson erlang mit playgroup und als output labelbetreiber (lcd soundsystem, four tet) weltweiten ruhm, später stellte er die strut samplerserie metal dance zusammen. nun erhielt er den auftrag, die elektronische seite des adrian sherwood-labels on-u sound abzubilden, was ihm mit vorliegenden 27(!) tracks auch vorbildlich gelang. die doppel-cd/dreifach-lp science fiction dancehall classics bietet einen perfekten einblick in die früh-1980 er szene, als electro, dub und post-punk kollidierten. neben favoriten von african head charge, mark stewart + the maffia und dub syndicate finden wir den bislang unbekannten track dead come alive aus der frühphase von neneh cherry, sowie zahlreiche tunes, die erstmals auf cd erscheinen, darunter von bim sherman, tackhead und der späteren massive attack-sängerin shara nelson.

is it balearic? latest offering is from klik records man glass coffee. disclosures is a hypnotic slice of european deep house. laid back electric pianos and marimbas layered over a tight house groove. dance naked the second track follows the same kind of pattern upping the tempo slightly,building slowly towards a deep bass drop and arped string line. again more trademark layers. full on dancefloor action. the b-side brings one of the greatest italian house producers ever to iib. don carlos remix is really something special. a relentless subby double bass sounding b-line relentlessly underpins this delightfully atmospheric excursion into deepness. the coyote remix slows down the pace and dons its flip flops for a little tropical shuffling. iib hitting the spot again.

stepping up for the second ep on brame & hamos own imprint splendor & squalour is top boy hamo with his debut solo ep -the cotton club. with his partner brame he has already released staggering eps on dirt crew recordings and dam swindles own heist recordings. a fierce rise in the deep house community for sure! we already had a small taste of hamo s solo productions on the clockwerk ep that was released beginning of this year as the first ep on splendor & squalour. now we are giving you a full 5 tracker with a remix from box aus holz/ torben boy kickflip mike. the ep kicks off with title track - cotton club - a jazzy deep house jam, keeping the hip hop vibe present. up next is -wonce- which is a little bit more on the melodic side. we would also like to welcome more of our sligo family to the label with this side up, the hip hop trio is featured as third on the a side with the straight hip hop track in control. on to the b side we have the brilliant kickflip mike adding a much clubbier vibe to -wonce- a real early mornings bomb. to close the ep hamo has given us black lodge, a dusty house groover with delightful hi-hats and very clever sampling going on as in all his works, solo or with his homey brame.

we here at wph are not ones to celebrate each and every significant number in our history. we do not even consider numbers to be that significant. but what we do believe is that every story has its ending and that every ending should come with a bang. and so we have decided that the regular wph series and the coloured vinyl-only series will come to an end together with one last release. we breing you a collection of three of our most wanted tracks with a little bonus thrown in ... we suggest you go really oldskool and buy double copies of this one, because you will want to play these back to back!

to celebrate our 10th vinyl release, we welcome on board the young and talented parisian flabaire, who is one of the man behind d-ko records and member of secret value orchestra. athmospheric and dreamy 808 style from flabaire, simply beautiful driving vibe on * about myself*, slower but sexy voyage that is * morning lights* , and to complete the ep a little twist to a more dance floor and funky tune: * kemia fever*.

yaleesa hall has released solo tracks and remixes on the will & ink label before now, and here returns with four new cuts on the perrin ep. the unknown producer turned plenty of heads with its first full outing, and the stripped back but succulent sounds on offer here will surely do the same again. rubber kicks rolling beneath little flecks of static and raw metal texture. wonky synth lines riding up and down. this is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.

(180 gr) private agenda return with a sumptuous summer release that can play out just as well on new yorks sticky disco dancefloors as it would blaring out amongst the beach bars and palms on the white island.

new years deal - with toby tobias debut lp for delusions of grandeur dropping on the 16th october we wanted to give you a little taste of what to expect with a couple of tracks plus a brilliant remix from dog regular franc spangler. kicking things off we have the twisted machine funk of the wonder featuring vocals from atwell. 808 beats bringing the vintage electro vibes whilst atwell’s vocal hints at the golden era of chicago house, adding a soulful touch to the rigid groove. next up is only getting better, diving into deeper waters with bubbling pads and pulsing bass line. finally, we have franc spangler getting busy on the remix, turning in a floor focused jam which brings the vocal to the fore and a big beefy bassline to bounce to.

finale sessions is excited about this reease and we are greatfull to bring you natan h hailing fro the city of angels natan has this energy that we at finale sessions as of late have not been able to find so as you know we are estatic to get this out to the masses and give you a little taste of what is going on out on the left coast

the sound of brenta on crime city disco. four effective tracks from our favorite italians. punx non muoiono mai!

part 2 of editors kutz 005 pressed on purple vinyl feat cuts from jkriv / noodleman / riccio & emvee who round things off nicely. with edits and reworks on little known or impossible to find originals, and some beloved classics, this release covers various disco styles, keeping the right balance between the uptempo and low tempo vibes. limited repress act fast

the fine folks at moton, that will be diesel and jarvis, hook us up with something a little special this summer, slimming their usual 12- format down into superb colored 7 inches of edit delights... sister to sister does its thang with plenty of soul and sass, blowing our minds with far out funk, and full on frequencies. last but not least, diesel and jarvis go beachcombing with the blue eyed boogie off flipping it over we are the sunset, is a jazzed out, funked up cut ripe for early hours or end of night play.

fourth 12 on interzona13 s sister label outerzona13... consistent best-sellers, these little collections of secret weapons have made many friends out there on the floor no.4 is a v/a selection. opening up with a super extended and fired up, not to mention very sought after skye jam flip for a swirling, organ heavy jazz-funker & a salacious mid-tempo house throbber another outerzona hit !

special warehouse find original pressing. only 160 units available. classic and essential killer record from mikael stavostrand. played by ricardo villalobos, dixon, raresh ... lick my deck is run by shaun soomro and matt jolley. pushing boundaries and developing the sound, a label focused on releasing intelligent and provocative electronic music. die a little starts of with a groove that wont let you go building into 4/4 drive, katous vocals set off the track with a real warmth but with a dark edge behind them. dark eyes has a sexy dirty feel to it. a thrusting bass line and obsessive vocals that hypnotize you into a deeper engagement

f.s. blumm aka frank schültge from berlin has been making marvelous music for many years now. be it solo like on his latest album (pingipung in 2013) as part of the subtle folk-duo -bobby & blumm- or as a sound- scape researcher at the side of nils frahm. but even though f.s. blummbastic sees the light of day for the very first time in this release, the combina- tion of dub and blumm is not new: he is part of the quasi dub development (qdd). the collective around blumm and luca fadda from new york recently released the album -little-twister vs stiff-neck- with features by lee scratch perry or lady ann on pingipung in 2014. these -riddims and biscuits- came to live during the creation of material for future qdd-concerts. f.s. blummbastic played all instruments himself, rhythm guitar, organ and of course bass to send the results the the colleagues in new york. soon it was clear: these riddims have the most impact in their reduced form. theyd like to stand alone and get played back loudly. for the drums f.s. blummbastic brought helmut erler aka hey from hey-Ø-hansen into the qdd cosmos. not only did he bang the drums, but he has also mixed, mastered and cut the vinyl of this album.

little louie vega starring adeva ....enough said..

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

shadeleaf drop their eighth release in what is now established as essential catalogue ! joseph caserta (now known simply as caserta) is a multifaceted dj & producer based out of boston, massachusetts, who has worked with razor n tape, soul clap records, midnight riot, bbe, and kon s star time imprint. ricky is a little slice of traditional est coast, soundsystem house - a simplistic but textured workout aimed squarely at the floor, with it s lascivious narration and repetitive hook the jeep mix harks back to those 90 s b2 beats mixes on the big apple s prodigious hip hop output... digging royalty and a bona-fide master of the art of the re-edit kon handles the first of the b side re-rubs stripping things back a little and letting the bump and hustle ride to an altogether more hypnotising and atmospheric destination finally label boss that man monkz adds more than a little sheffield grit to proceedings, amping the rhythm section and laying out a deadly bass line... another shadeleaf sureshot !

part 1 of editors kutz 005 pressed on hot pink vinyl feat cuts from luvless / trujillo / jean claude gavri & label boss vinyladdicted who teams up with sleazy mcqueen to round things off nicely. with edits and reworks on little known or impossible to find originals, and some beloved classics, this release covers various disco styles, keeping the right balance between the uptempo and lowtempo vibes. limited repress act fast.

echologist and vohkinne go head to head in the latest release for atrophic society. utilising a library of field recordings the two captured in their respective back yards. they ve crafted a sonic pallet using only those sounds, which serves to give a tangible cohesion across the ep as well as provide something a little different from the norm. each track captures a unique set of machine sounds and turns them into brooding, heady, atmospheric techno. a thousand cuts and scythe serve as heavy hitters, whereas nature control and broad swathe to the far side bring a dark mood seething with anticipation.

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

the first release of full pupp slipts, a new kind in our lovely fpinternasjonal smaland has finally arrived. weve set up this little offshoot basically to let tracks by separate artists carpool together instead of waiting for each artist to finish off a full ep. the finished tracks will(at least in theory)end up quicker in your record bag and youll get a cool combo of tracks for each release. for the first release youll get full pupp regular blackbelt andersen serving up the much requested dolphin sandwich and on the flip debutante and full pupp prospect christian enghs gives you kyllingsmak.

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

chile 2015 - larry peters is taking us on a journey to the orbit around a minimal and spherical sound . a little bit driving and impulsive, a little bit psycho and relaxing enough to begin this journey . take your helmet , space suit and these wonderful 4 tracks to start the countdown .... 3.2,1 ....

ready to lose control? paul c. & paolo martini are back on 8bit and better then ever! after their huge success with bermuda last year, nick curly & gorge are happy to have the outstanding duo back in their catalogue. control tower ep hooks you from bar 1 and once more proves, pauls & paolos years of experience and feeling for the right groove. to top off this quality release, joyce muniz turned in a tight and dirty remix with a little saw bass to make them shake it. dont miss out on this quality ep!

we find it slightly hard to believe that it s been three years since blocks and escher launched narratives music with their explorative *sagan / broken* 12-inch. unafraid to stray from its drum & bass roots, the label has since become synonymous with encapsulating, poignant, cutting-edge music. favouring quality over quantity, blocks and escher have kept the narratives release schedule sparse, only now hitting the big 1-0. along with the founders, only overlook, asc, loxy & resound and rhyming in fives have had their names tied to the label, and it s the latter who returns now for the tenth release.
first surfacing in 2013 with the hindsight ep, rhyming in fives remains enigmatic to say the least. little to nothing is known about the producer, and aside from a free download that dropped last week via mixmag, the new 4-track light leaks ep is only the second offering ever from the mysterious musician.